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Pat Metheny, Side-Eye III+ Review

Jazz
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
World Jazz

Wanees Zarour, Silwan Review

Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]

Jazzblazers

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

Jazz

Robert Kennedy, Closer to Home

by Nolan DeBuke Robert Kennedy grew up in the deep south, where jazz has a long-standing history of producing soulful artists with a swinging attitude, dripping with gospel overtones.  Kennedy is a Hammond organist and […]

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt