World Jazz
Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Joel Ross, Gospel Music Review
Jazz
Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as [...]
Jazz
Martin Wind, Stars Review
Martin Wind, Stars Review Martin Wind’s Stars: The Art of Jazz as Conversation By Ferell Aubre Stars is Martin Wind’s album that captures the sound of musicians who trust the room, the tune, the moment, [...]
Jazz
Enrique Haneine, Conceivable Directions Review
Enrique Haneine, Conceivable Directions Review Conceivable Directions: Enrique Haneine’s Creative Directing From The Drums By Nolan DeBuke On Conceivable Directions, drummer and composer Enrique Haneine presents a body of work that listens as carefully as [...]
Jazz
Out Of/Into, Motion II Review
Out Of/Into, Motion II Review Out Of/Into: Motion II put Legacy in Motion by setting groove first By Ferell Aubre From the first downbeat of Out Of/Into’s Motion II, they sound like an ensemble already [...]
Jazzblazers
Jazz
Joel Ross, Gospel Music Review
Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as […]
Jazz
Martin Wind, Stars Review
Martin Wind, Stars Review Martin Wind’s Stars: The Art of Jazz as Conversation By Ferell Aubre Stars is Martin Wind’s album that captures the sound of musicians who trust the room, the tune, the moment, […]
Jazz
Enrique Haneine, Conceivable Directions Review
Enrique Haneine, Conceivable Directions Review Conceivable Directions: Enrique Haneine’s Creative Directing From The Drums By Nolan DeBuke On Conceivable Directions, drummer and composer Enrique Haneine presents a body of work that listens as carefully as […]
Latin Jazz
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Dan Moretti & Brazilia, Live at the Pump House: Celebrating Wayne Shorter Review Where Groove Meets Legacy: Dan Moretti & Brazilia Honor Wayne Shorter Live by Nolan DeBuke Dan Moretti & Brazilia brings us a homage [...] -
Heather McKay, Life Got In The Way Review Heather McKay: Being Productive When Life Got In The Way By Sylvannia Garutch Heather McKay’s album arrives with an aura of being created patiently, carrying the weight [...] -
The Beveled Edges, I Guess We’re Not Alone Review The Beveled Edges: Genre-Fluid Music Across Borders and Emotions By Sylvannia Garutch The debut album by The Beveled Edges, I Guess We’re Not Alone, is the [...] -
Masha Campagne, Alegre Menina Review Masha Campagne: Today’s Brazilian Jazz with Alegre Menina By Sylvannia Garutch In Alegre Menina, vocalist Masha Campagne crafts a luminous musical journey that bridges continents, cultures, and idioms as she [...]
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FusioneersStan Harrison, Some Poor Soul Has a Fire Review
Stan Harrison, Some [...] -
Crossover JazzGoro Ito Ensemble, Amorozsofia -Abstract João Review
Goro Ito Ensemble, [...] -
JazzJohn Scofield, Uncle John’s Band Review
John Scofield, Uncle [...] -
JazzHudson, Hudson
by Sylvannia Garutch [...] -
Crossover JazzChrissie Hynde, Valve Bone Woe
by Sylvannia Garutch [...] -
Crossover JazzThe Moore-McColl Jazz Society, Up and Gone Review
The Moore-McColl Jazz [...]