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Pat Metheny, Side-Eye III+ Review

Jazz
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
World Jazz

Wanees Zarour, Silwan Review

Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Jazz

Joel Ross, Gospel Music Review

Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as [...]

Jazzblazers

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Joel-Ross-Gospel-Music-feature-the-jazz-word
Jazz

Joel Ross, Gospel Music Review

Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

Jazz

Perry Smith, New Angle

by Sylvannia Garutch Guitarist and composer Perry Smith is originally from California, but now calls Brooklyn New York his home. Smith received his Bachelor of Music degree from the Flora L. Thornton School of Music […]

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt