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Pat Metheny, Side-Eye III+ Review

Jazz
February 28, 2026 0
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
World Jazz

Wanees Zarour, Silwan Review

February 14, 2026 0
Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]

Jazzblazers

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Jazz

Pat Metheny, Side-Eye III+ Review

February 28, 2026 0

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

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Jazz

Tigran Hamasyan, StandArt Review

May 3, 2022 0

Tigran Hamasyan, StandArt Review by Ferell Aubre Tigran Hamasyan is releasing StandArt on Nonesuch Records. This album marks the pianist and composer’s first album of American standards and comprises songs from the 1920s through the 1950s by […]

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Jazz

Pat Metheny, Side-Eye III+ Review

February 28, 2026 0

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt

The Jazz Word 2021