Jazz
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
Interplay Jazz Orchestra, Bite Your Tongue Review
Jazz
Interplay Jazz Orchestra, Bite Your Tongue Review Canon as Framework: Interplay Jazz Orchestra’s Bite Your Tongue Big Band Statement By Ferell Aubre On Bite Your Tongue, Interplay Jazz Orchestra positions itself squarely within the lineage [...]
Vocal Jazz
Kurt Elling, WDR Big Band, In the Brass Palace Review
Kurt Elling, WDR Big Band, In the Brass Palace Review Load-Bearing Design: Kurt Elling & the WDR Big Band Construct In the Brass Palace By Ferell Aubre Kurt Elling & the WDR Big Band present [...]
World Jazz
Wanees Zarour, Silwan Review
Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Jazz
Joel Ross, Gospel Music Review
Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as [...]
Jazzblazers
Jazz
Pat Metheny, Side-Eye III+ Review
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]
Jazz
Interplay Jazz Orchestra, Bite Your Tongue Review
Interplay Jazz Orchestra, Bite Your Tongue Review Canon as Framework: Interplay Jazz Orchestra’s Bite Your Tongue Big Band Statement By Ferell Aubre On Bite Your Tongue, Interplay Jazz Orchestra positions itself squarely within the lineage […]
Jazz
Joel Ross, Gospel Music Review
Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as […]
Latin Jazz
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Dan Moretti & Brazilia, Live at the Pump House: Celebrating Wayne Shorter Review Where Groove Meets Legacy: Dan Moretti & Brazilia Honor Wayne Shorter Live by Nolan DeBuke Dan Moretti & Brazilia brings us a homage [...] -
Heather McKay, Life Got In The Way Review Heather McKay: Being Productive When Life Got In The Way By Sylvannia Garutch Heather McKay’s album arrives with an aura of being created patiently, carrying the weight [...] -
The Beveled Edges, I Guess We’re Not Alone Review The Beveled Edges: Genre-Fluid Music Across Borders and Emotions By Sylvannia Garutch The debut album by The Beveled Edges, I Guess We’re Not Alone, is the [...] -
Masha Campagne, Alegre Menina Review Masha Campagne: Today’s Brazilian Jazz with Alegre Menina By Sylvannia Garutch In Alegre Menina, vocalist Masha Campagne crafts a luminous musical journey that bridges continents, cultures, and idioms as she [...]
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World JazzMariah Parker, Windows Through Time Review
Mariah Parker, Windows [...] -
JazzJD Allen, Have Yourself a Merry Little Christmas Review
JD Allen, Have [...] -
FusioneersThe Clunk Orchestra, The Sound It Makes
by Nolan DeBuke [...] -
FusioneersTodd Mosby, Land of Enchantment Review
Todd Mosby, Land [...] -
LatinSteve Khan, Patchwork Review
Steve Khan, [...] -
JazzJoel Ross, Who Are You? Review
Joel Ross, Who [...]