Alex-Sipiagin-Live-At-Smalls-feature-the-jazz-word

Alex Sipiagin, Live at Smalls Review

Uncategorized
Alex Sipiagin, Live at Smalls Review Alex Sipiagin: Form Creates Live at Smalls by Nolan DeBuke Alex Sipiagin’s Live at Smalls documents a working quintet of Seamus Blake (tenor saxophone), David Kikoski (piano), Boris Kozlov [...]
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]

Jazzblazers

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

chris-keefe-feature-the-jazz-word
Jazz

Chris Keefe, Opening Review

Chris Keefe, Opening Review By Sylvannia Garutch Opening is pianist Chris Keefe’s debut recording as a leader. Keefe uses three originals and four standards to introduce himself to jazz fans and his own unique piano […]

Alex-Sipiagin-Live-At-Smalls-feature-the-jazz-word
Uncategorized

Alex Sipiagin, Live at Smalls Review

Alex Sipiagin, Live at Smalls Review Alex Sipiagin: Form Creates Live at Smalls by Nolan DeBuke Alex Sipiagin’s Live at Smalls documents a working quintet of Seamus Blake (tenor saxophone), David Kikoski (piano), Boris Kozlov […]

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt