Jazz
Randy Napoleon, Waking Dream Review Randy Napoleon, Waking Dream: The Music of Gregg Hill and Randy Napoleon by Ferell Aubre On Waking Dream: The Music of Gregg Hill and Randy Napoleon, five distinct guitar voices [...]
Pat Metheny, Side-Eye III+ Review
Jazz
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
Jazz
Interplay Jazz Orchestra, Bite Your Tongue Review
Interplay Jazz Orchestra, Bite Your Tongue Review Canon as Framework: Interplay Jazz Orchestra’s Bite Your Tongue Big Band Statement By Ferell Aubre On Bite Your Tongue, Interplay Jazz Orchestra positions itself squarely within the lineage [...]
Vocal Jazz
Kurt Elling, WDR Big Band, In the Brass Palace Review
Kurt Elling, WDR Big Band, In the Brass Palace Review Load-Bearing Design: Kurt Elling & the WDR Big Band Construct In the Brass Palace By Ferell Aubre Kurt Elling & the WDR Big Band present [...]
World Jazz
Wanees Zarour, Silwan Review
Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Jazzblazers
Jazz
Randy Napoleon, Waking Dream Review
Randy Napoleon, Waking Dream Review Randy Napoleon, Waking Dream: The Music of Gregg Hill and Randy Napoleon by Ferell Aubre On Waking Dream: The Music of Gregg Hill and Randy Napoleon, five distinct guitar voices […]
Jazz
Pat Metheny, Side-Eye III+ Review
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]
Jazz
Interplay Jazz Orchestra, Bite Your Tongue Review
Interplay Jazz Orchestra, Bite Your Tongue Review Canon as Framework: Interplay Jazz Orchestra’s Bite Your Tongue Big Band Statement By Ferell Aubre On Bite Your Tongue, Interplay Jazz Orchestra positions itself squarely within the lineage […]
Latin Jazz
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Dan Moretti & Brazilia, Live at the Pump House: Celebrating Wayne Shorter Review Where Groove Meets Legacy: Dan Moretti & Brazilia Honor Wayne Shorter Live by Nolan DeBuke Dan Moretti & Brazilia brings us a homage [...] -
Heather McKay, Life Got In The Way Review Heather McKay: Being Productive When Life Got In The Way By Sylvannia Garutch Heather McKay’s album arrives with an aura of being created patiently, carrying the weight [...] -
The Beveled Edges, I Guess We’re Not Alone Review The Beveled Edges: Genre-Fluid Music Across Borders and Emotions By Sylvannia Garutch The debut album by The Beveled Edges, I Guess We’re Not Alone, is the [...] -
Masha Campagne, Alegre Menina Review Masha Campagne: Today’s Brazilian Jazz with Alegre Menina By Sylvannia Garutch In Alegre Menina, vocalist Masha Campagne crafts a luminous musical journey that bridges continents, cultures, and idioms as she [...]
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JazzScott Hamilton, Looking Back Review
Scott Hamilton, Looking [...] -
Vocal JazzMaria Kim, Misty Blue Review
Maria Kim, Misty [...] -
JazzGeorge Cables, I’m All Smiles
by Sylvannia Garutch [...] -
Chamber JazzPaul Dietrich, 5+4 Review
Paul Dietrich, 5+4 [...] -
JazzHiromi, Balloon Pop Review
Hiromi, Balloon Pop [...] -
JazzLouis Hayes, Artform Revisited Review
Louis Hayes, Artform [...]