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Pat Metheny, Side-Eye III+ Review

Jazz
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
World Jazz

Wanees Zarour, Silwan Review

Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Jazz

Joel Ross, Gospel Music Review

Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as [...]

Jazzblazers

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Joel-Ross-Gospel-Music-feature-the-jazz-word
Jazz

Joel Ross, Gospel Music Review

Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

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Jazz

Eleonora Strino, I Got Strings Review

Eleonora Strino, I Got Strings Review Strings of Tradition: Eleonora Strino’s Jazz Odyssey by Ferell Aubre Eleonora Strino’s I Got Strings is a set of seven songs that form a luminous beacon where tradition intertwines with innovation. Released on […]

Pat-Metheny-Side-Eye-III-feature-the-jazz-word
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt