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Alex Sipiagin, Live at Smalls Review

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Alex Sipiagin, Live at Smalls Review Alex Sipiagin: Form Creates Live at Smalls by Nolan DeBuke Alex Sipiagin’s Live at Smalls documents a working quintet of Seamus Blake (tenor saxophone), David Kikoski (piano), Boris Kozlov [...]
Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]

Jazzblazers

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Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

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Jazz

Peter Bernstein, Better Angels Review

Peter Bernstein, Better Angels Review Peter Bernstein’s Better Angels: Familiarity and Discovery by Ferell Aubre Peter Bernstein’s latest release, Better Angels, is an eight-song program by the modern jazz guitarist, demonstrating his technical finesse and […]

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Andrew Binder, Conspiracy Deliracy Review

Andrew Binder, Conspiracy Deliracy Review Jazz and Conspiracy: Andrew Binder’s Ingenious Blend in Conspiracy Deliracy by Nolan DeBuke Andrew H. Binder, an accomplished bassist and composer from St. Louis, Missouri, brings an inventive fusion of […]

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Uncategorized

Alex Sipiagin, Live at Smalls Review

Alex Sipiagin, Live at Smalls Review Alex Sipiagin: Form Creates Live at Smalls by Nolan DeBuke Alex Sipiagin’s Live at Smalls documents a working quintet of Seamus Blake (tenor saxophone), David Kikoski (piano), Boris Kozlov […]

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Jazz

Pat Metheny, Side-Eye III+ Review

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt