

Jazz
Shawn Purcell, Oblivity Review Shawn Purcell’s Oblivity: Elegance in Motion By Nolan DeBuke Oblivity is Shawn Purcell leading and ensemble as a guitarist of fluidity and grace. He reveals he is a composer of rare [...]

Chip Wickham, The Eternal Now Review
Crossover Jazz
Chip Wickham, The Eternal Now Review Dwelling in the Present: Chip Wickham’s The Eternal Now By Sylvannia Garutch Chip Wickham’s The Eternal Now arrives like a prism catching spiritual jazz sunlight, refracting the many [...]
Jazz
Eric Alexander, Like Sugar Review
Eric Alexander, Like Sugar Review Tradition as Creation: Eric Alexander’s Homage in Like Sugar By Nolan DeBuke Eric Alexander’s career has long been a study in a balance of respect for the language of bebop [...]
Jazz
Pete Mills, For The Record Review
Pete Mills, For The Record Review Pete Mills’ For The Record keeps the tenor/B3 flame burning By Ferell Aubre If you want to know where the heartbeat of the Midwest tenor/B3 tradition is living right [...]
Jazz
Kenny Wheeler Legacy, Some Days Are Better: The Lost Scores Review
Kenny Wheeler Legacy, Some Days Are Better: The Lost Scores Review Elegance and Edge: Rediscovering Kenny Wheeler’s Some Days Are Better by Ferell Aubre Kenny Wheeler’s music has always carried a touch of mystery with [...]
Jazzblazers

Jazz
Shawn Purcell, Oblivity Review
Shawn Purcell, Oblivity Review Shawn Purcell’s Oblivity: Elegance in Motion By Nolan DeBuke Oblivity is Shawn Purcell leading and ensemble as a guitarist of fluidity and grace. He reveals he is a composer of rare […]

Jazz
Eric Alexander, Like Sugar Review
Eric Alexander, Like Sugar Review Tradition as Creation: Eric Alexander’s Homage in Like Sugar By Nolan DeBuke Eric Alexander’s career has long been a study in a balance of respect for the language of bebop […]

Jazz
Pete Mills, For The Record Review
Pete Mills, For The Record Review Pete Mills’ For The Record keeps the tenor/B3 flame burning By Ferell Aubre If you want to know where the heartbeat of the Midwest tenor/B3 tradition is living right […]
Latin Jazz
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The Beveled Edges, I Guess We’re Not Alone Review The Beveled Edges: Genre-Fluid Music Across Borders and Emotions By Sylvannia Garutch The debut album by The Beveled Edges, I Guess We’re Not Alone, is the [...]
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Masha Campagne, Alegre Menina Review Masha Campagne: Today’s Brazilian Jazz with Alegre Menina By Sylvannia Garutch In Alegre Menina, vocalist Masha Campagne crafts a luminous musical journey that bridges continents, cultures, and idioms as she [...]
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Renee Rosnes, Crossing Paths Review The Rhythms of Connection: Crossing Paths with Renee Rosnes By Sylvannia Garutch In Crossing Paths, pianist-composer Renee Rosnes crafts a tribute to Brazilian music that is imaginative and performed by [...]
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Neff Irizarry, Cambio Review Latin Jazz Guitar Bridges and Cadence: Neff Irizarry’s Cambio By Ferell Aubre Neff Irizarry’s Cambio (Change) is an album that flows in Latin jazz performance and rhythmic, harmonic, and textural explorations. [...]
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Jazz
Steve Davis, We See Review
Steve Davis, We [...] -
Jazz
Larry Ham/Wood Witt, Presence
by Sylvannia Garutch [...] -
Jazz
Paula Atherton, Dancin’ Shoes Review
Paula Atherton, Dancin’ Shoes Review [...] -
Jazz
Flying Horse Big Band, The Bat Swings
by Nolan DeBuke [...] -
Jazz
Chris Keefe, Opening Review
Chris Keefe, Opening [...] -
Fusioneers
Al Di Meola, Twentyfour Review
Al Di Meola, [...]