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Pat Metheny, Side-Eye III+ Review

Jazz
February 28, 2026 0
Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody [...]
World Jazz

Wanees Zarour, Silwan Review

February 14, 2026 0
Wanees Zarour, Silwan Review Modal Architecture With Tempered Jazz Structures: Wanees Zarour’s Silwan By Nolan Debuke In Silwan, Wanees Zarour undertakes a creative structural task of integrating maqam-based modal language into a modern jazz harmonic [...]
Jazz

Joel Ross, Gospel Music Review

February 6, 2026 0
Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as [...]

Jazzblazers

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Jazz

Pat Metheny, Side-Eye III+ Review

February 28, 2026 0

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Joel-Ross-Gospel-Music-feature-the-jazz-word
Jazz

Joel Ross, Gospel Music Review

February 6, 2026 0

Joel Ross, Gospel Music Review Joel Ross Aligns the Collective on Gospel Music: Where Rhythm Becomes Shared Language By Nolan DeBuke In Gospel Music (Blue Note), vibraphonist and composer Joel Ross isn’t chasing gospel as […]

Latin Jazz

Potter, Mehldau, Patitucci & Blake

Word Up

Chamber Jazz

Daniel Herskedal, Voyage

June 1, 2019 0

by Sylvannia Garutch Daniel Herskedal began his journey as a young lad on the French horn, during his studies he later took up what would be his primary instrument, the tuba. His formal training began […]

Jazz

Michal Martyniuk, Nothing to Prove

June 22, 2018 0

by Ferell Aubre Polish born pianist and keyboardist Michal Martyniuk is no stranger to the Auckland music scene.  Based in New Zealand since 2007, he holds a degree in Jazz Performance from Auckland University. Michal’s […]

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Jazz

Pat Metheny, Side-Eye III+ Review

February 28, 2026 0

Pat Metheny, Side-Eye III+ Review Pat Metheny’s Architecture on Side-Eye III+: Compositional And Improvisational Continuity by Nolan DeBuke The governing logic of Pat Metheny’s Side-Eye III+ is compositional continuity. Across eight Metheny originals, written melody […]

Jeremy Pelt

The Jazz Word 2021