Omer Leshem, Play Space Review

Explorations in Sound: Omer Leshem’s Bold Journey in Play Space

by Ferell Aubre

Omer Leshem’s third studio album, Play Space, is a bold exploration of diverse cultural and musical influences. Leshem, a rising tenor saxophonist on New York’s dynamic jazz scene, has once again crafted a sonic journey that delves into his background in classical, Israeli, and jazz traditions. Featuring a quintet brimming with talent and creative synergy, Play Space offers listeners nine original compositions by Leshem that blend lyricism, energetic grooves, and rich Middle Eastern flavors, all while having a fresh sound in the contemporary jazz scene.

Leshem’s upbringing in Herzliya, Israel, and his decade-long tenure in Brooklyn’s thriving jazz community, provide him with an eclectic perspective that infuses his music with warmth and adventurousness. His compositions are a blend of Mediterranean grooves, European classical harmonies, and the spontaneous, free nature of modern jazz. It’s a sound that reflects his formal training and the mentorship of musicians like Sam Yahel and Tony Malaby, as well as his deep connection to the musical traditions of his homeland.

Leshem’s quintet—featuring Nadav Remez on guitar, Moshe Elmakias on piano, Elam Friedlander on bass, and Ben Silashi on drums—brings his compositions to life with sensitivity and power. The result is an album that flows effortlessly from introspective lyricism to fiery improvisation, creating a listening experience that is as emotionally resonant as it is intellectually stimulating.

“Twilight Hymn” opens the album with a captivating tutti between Elmakias’ piano and Friedlander’s bass; the melody has a blend of Middle Eastern and Latin jazz colors. It’s a brilliant introduction to the album’s sonic palette, immediately pulling the listener into Leshem’s world. The entrance of Leshem’s saxophone is marked by a full-bodied, lyrical delivery of the main theme, followed by a counter-melody from Remez’s guitar. As the piece unfolds, the counterpoint between saxophone, guitar, and piano grows increasingly interactive, but still remains grounded in the groove. Leshem’s solo continues to explore the piece’s fusion of styles, with clear phrasing and a commanding sense of development that speaks to his depth as an improviser.

“Take an Advil” kicks the tempo up with a vibrant swing feel, underpinned by a form that bristles with ensemble hits and tutti sections. Here, the quintet showcases its tight interplay, delivering crisp and precise passages that propel the composition forward. Leshem and Elmakias engage in a thrilling exchange of ideas, their solos revealing their technical virtuosity and musical inventiveness. Silashi’s drum solo, framed by a creative ostinato from the ensemble, provides a buoyant close to the track, leaving a lasting impression with its colorful textures and infectious energy.

“Pull The Donkey” shifts the mood with a funky groove and a memorable, playful melody that highlights Leshem’s versatility as a composer and soloist. This track offers a lighter, more humorous side to Leshem’s playing, as he navigates through rhythmic twists and embellishments with ease. Rather than rushing to impress with technical fluidity, he takes his time to build a narrative within his solo, crafting a musical story that is engaging and thoughtful. Elmakias follows with a solo that digs deep into the groove, his ideas dancing effortlessly across the keys, further driving the track’s infectious energy.

“Cape Town Swag” is a nod to Leshem’s personal connection to his father’s hometown. Friedlander’s robust bass provides the foundation for a hip 12/8 groove that recalls the earthy, soulful vibes of a Horace Silver composition, though with Leshem’s unmistakable stamp. The tune invites the listener to close their eyes and imagine the sunny shores of Cape Town, the melody flowing like a breeze, offering both nostalgia and celebration. Leshem’s saxophone weaves through the rhythm, balancing groove with creative exploration, a fitting end to an album that is as much about discovery as it is about reflection.

Play Space is an impressive project—it’s an exploration of identity, culture, and the ways in which music can transcend borders. While rooted in his own experiences, Leshem’s compositions offer something universal, inviting listeners to reflect on their journeys. The quintet’s performance throughout is cohesive and dynamic, with each musician bringing their unique voice to the table while maintaining the integrity of Leshem’s vision.

The title of the album suggests a space for play, experimentation, and freedom, and that’s exactly what Leshem delivers. This is an album that rewards repeated listens, as each track unfolds with new layers of meaning and texture. It’s an invitation to engage with music on a deeper level, listen beyond the notes, and discover the stories within. Play Space is a fresh sound on the scene and a celebration of the boundless possibilities of jazz.