Atmospheric Trio, Following Polaris Review

Atmospheric Trio’s Dynamic Fusion on Following Polaris

by Ferell Aubre

Atmospheric Trio, comprising bassist Jay Sweet, pianist Kenny Tam, and drummer Dan Weeks, presents their debut album, Following Polaris, released on January 24, 2025. The trio’s chemistry is evident throughout the album as they offer a blending of jazz with elements of rock, folk jazz, European jazz, and blues.

The interplay between Sweet, Tam, and Weeks has grown to an art form level through their years of collaboration and mutual respect. Each member brings an attitude of focusing on creating a cohesive and dynamic sound. Their improvisational skills and attentiveness to each other’s cues allow for spontaneous musical conversations, making every track feel organic.​

The album’s music traverses genres by incorporating rock’s energy, folk-jazz’s storytelling, European jazz’s sophistication, and blues’ emotive expression. This sound broadens the album’s appeal and reflects the trio’s extensive musical backgrounds.

Sweet’s compositions are a rich source of inspiration. The melodies are memorable, often weaving through unexpected harmonic progressions that keep listeners engaged. The trio’s interactions allow each instrument to shine, whether through solo passages or in a supporting role. harmonies, demonstrating their deep musicality and understanding of jazz’s expressive potential.

“Following Polaris” sets the topic of conversation with a driving rhythm and a melody that dances between major and minor modes. Tam’s piano introduces a theme that they develop through a series of improvisations, leading to a climactic ensemble conclusion. The music has an Americana jazz overtone.

“Green Chimneys” is an example of the trio’s approach to standard jazz material. The arrangement blends folk-jazz elements with a bluesy undertone. The trio’s interplay is evident as they navigate the arrangement’s shifting meters and themes.

“When The Sky Turns Blue” is a circling waltz featuring a building piano intro that segues into a catchy theme. Weeks’ sensitive drumming provides a delicate backdrop to Sweet’s bass solo. The interaction between the trio during Tam’s solo feels like an enhancement of the piece’s mood.

“Absurd Arnold” is an angular theme. The solo section finds the trio exploring experimental and avant-garde elements. The unconventional harmonies and rhythms create a rewarding conversation. “My Romance” is the trio’s take on the classic standard. Sweet’s bowed lines are the lead for the first half of the song. Tam’s piano provides an engaging and rhythmic foundation that propels the music.

“No Bones About It” is a lively composition that combines rock’s energy with jazz improvisation. The trio’s tight coordination and individual parts are locked into building varying trio phrases.

“Jana’s Delight” is a folk-inspired tune with a catchy melody. The trio’s performance allows for playful exchanges. “Slither and Shake” is an Afro-Cuban meets jazz-infused track that showcases the trio’s ability to groove. The call-and-response between piano and bass adds a layer of depth, while Weeks’ drumming drives the piece’s infectious rhythm.

The trio’s exploration of two jazz standards, “Tangerine” and “Isotope,” ends the album. Both tracks invite listeners into a world of musical storytelling in the style of the Atmospheric Trio. A playful energy encapsulates the trio’s journey through the songs as they gradually build in intensity, leaving listeners with a sense of completion.

Following Polaris is an introduction to the style of Atmospheric Trio and their approach to jazz. Their ability to blend genres, communicate cohesively, and craft performances that resonate with listeners make this album a find for the modern jazz fan.