David Larsen, Cohesion Review

A Harmonious Convergence: David Larsen’s Cohesion Bridges East and West Coast Jazz

by Nolan DeBuke

David Larsen, a saxophonist, composer, and recording artist based in Spokane, Washington, has crafted an impressive body of work that underscores his versatility and commitment to jazz. Larsen’s reputation in the jazz world is well-established, with twelve full releases under his belt and notable collaborations with artists such as Ken Peplowski, Halie Loren, and the Spokane Symphony. His latest release, Cohesion, shows his adventurous spirit and willingness to explore new sonic territories.

Cohesion results from a fruitful collaboration between East Coast jazz musicians Darryl Yokley, Zaccai Curtis, Alex Apollo, Wayne Smith Jr., and West Coast composer and saxophonist David Larsen. Larsen’s encounter with this group during their Northwest tour ignited a creative spark that led to this ambitious project. “I met this group when they were on tour in the Northwest, and I really loved the sound they were getting from their original compositions and group dynamic,” Larsen explains. This collaboration was not just a meeting of minds but a merging of distinct musical cultures, resulting in a fresh sound deeply rooted in jazz tradition.

The ensemble featured in David Larsen’s Cohesion is a powerhouse of talent and creativity, bringing together some of the most dynamic voices in contemporary jazz. This collaboration bridges the geographical and stylistic gap between the East and West Coasts, creating a unique and vibrant sound. On baritone saxophone, David Larsen leads with his robust and expressive playing, setting the tone for the ensemble. Joining him is Darryl Yokley on tenor saxophone, whose innovative compositions and spirited improvisations add depth and complexity. Zaccai Curtis on piano provides harmonic richness and rhythmic drive, while Alex Apollo on bass anchors the ensemble with his steady, resonant lines. Completing the group is Wayne Smith Jr. on drums, whose versatile and energetic drumming propels the music forward with both precision and passion. Together, these musicians form a cohesive unit, adeptly navigating Larsen’s challenging compositions and creating an album that is as intellectually stimulating as it is sonically pleasing.

The album starts with the title track, “Cohesion,” a modal composition showcasing Larsen’s innovative approach to harmony. Using two modes played simultaneously—where the first chord defines the tonal center while the melody is based on a similar mode a perfect fifth away—Larsen creates a rich, layered texture that draws the listener in. The interplay between Larsen’s baritone and Yokley’s tenor saxophones adds depth, making the track a compelling introduction to the album.

“Down To It” follows, with its nod to the great modal tunes of the 1960s, reminiscent of John Coltrane’s “Impressions.” The track’s up-tempo driving rhythm and robust solos from Larsen and Yokley highlight the ensemble’s dynamic synergy. The rhythm section of Apollo and Smith keeps the energy and feel alive as the piece blends classic cool jazz influences with contemporary melodic and harmonic constructions.

“Movement” takes a different turn, exploring simple triads and suspended chords inspired by 1960s pop tunes and hard-bop stylings. The piece’s harmonic simplicity belies its emotional complexity, with Curtis’s piano figure providing a delicate counterpoint to Larsen’s baritone saxophone. The track’s evolving structure engages the listener, showcasing Larsen’s compositional finesse.

“Wishing Well” introduces an Afro-Cuban groove inspired by Yokley’s African-influenced compositions. The syncopated 12/8 pattern and Apollo’s intricate bass lines create a vibrant, danceable rhythm. This track exemplifies the album’s global influences, melding African and Latin rhythms with jazz’s improvisational spirit and sophistication.

“Fedchock” pays homage to the hard bop tradition, drawing inspiration from the Jazz Messengers. The piece is a high-energy romp, propelled by Smith Jr.’s dynamic drumming. Larsen’s robust baritone saxophone and Yokley’s agile tenor saxophone weave through intricate harmonies, creating a thrilling musical dialogue. Larsen’s West Coast hard-bop playing is awe-inspiring, characterized by his clear articulation and phrasing. He is melodic and adept at shaping a solo, demonstrating his deep understanding of the genre.

“Working Things Out” is a reimagining of a big band chart Larsen previously published, utilizing modal harmonies and a relaxed vibe. The track’s laid-back groove provides a moment of respite, allowing the listener to appreciate the subtleties of Larsen’s arrangements and the ensemble’s tight cohesion. Curtis’ solo brings together groove and melody beautifully.

The album’s final two tracks, written by Yokley, are a fitting conclusion to this musical journey. “Mount Fuji” and “El Duelo” evoke the spirits of Wayne Shorter and John Coltrane, challenging the musicians to push their boundaries. Larsen admits, “They are a real challenge to play over, but well worth it.” The intricate melodies and harmonies showcase the ensemble’s technical prowess and deep musical connection.

In summation, Cohesion is David Larsen pushing himself to new heights as a player and composer. The album’s blend of East and West Coast influences and its nods to various jazz traditions make it a standout release in the modern jazz landscape. As Larsen reflects, “This project was a great stretch for me as a player and composer, but it has been an absolute joy to put together, and I hope you enjoy listening to it as much as I enjoyed making it.”