Warren Wolf, Smoove Vibes Review
Warren Wolf, Smoove Vibes Review Warren Wolf’s Smoove Vibes: Groove, Melody, and the Long Line By Nolan DeBuke Warren Wolf has long been known for what he can do on the vibraphone, but Smoove Vibes […]
Warren Wolf, Smoove Vibes Review Warren Wolf’s Smoove Vibes: Groove, Melody, and the Long Line By Nolan DeBuke Warren Wolf has long been known for what he can do on the vibraphone, but Smoove Vibes […]
Rafael Greco — Versos bajo mi sombra / Verses Under My Shadow Review Rafael Greco’s Verses Under My Shadow: The Sound of a Consistent Musical Mind By Ferell Aubre Keyboardist and composer Rafael Greco brings […]
Billy Childs, Triumvirate Review Billy Childs’ Triumvirate: A Piano Language in Full By Nolan DeBuke For all the conversation that naturally surrounds Triumvirate as Billy Childs’ first trio recording in decades, the album is a compelling […]
Chris Potter, Alive With Ghosts Today Review Chris Potter’s Alive With Ghosts Today: The Shape of Collective Motion by Nolan DeBuke Chris Potter’s Alive With Ghosts Today unfolds as a jazz record that mixes chamber […]
Dave Schumacher & Cubeye, Agua Con Gas Review Dave Schumacher & Cubeye’s Agua Con Gas Swings on Both Sides of the Rhythm By Ferell Aubre Dave Schumacher’s Agua Con Gas, performed by Cubeye, is an […]
Lis Wessberg featuring Veronika Rud, In the Wake of Blue Review Lis Wessberg’s In the Wake of Blue Moves in Slow Currents by Ferell Aubre In the Wake of Blue never really settles into stillness. […]
John Pizzarelli, Dear Mr. Bennett Review John Pizzarelli’s Dear Mr. Bennett: Where the Voice Ends and the Guitar Begins By Sylvannia Garutch John Pizzarelli has long worked the space between jazz guitarist and vocalist, but […]
Julian Lage Quartet, Scenes from Above Review Julian Lage’s Scenes from Above: Shaped in Real Time by Ferell Aubre Julian Lage’s Scenes from Above arrives with the expectations that follow his Blue Note work: refined […]
Stella Cole, My Funny Valentine Review Stella Cole’s My Funny Valentine: Classic Elegance Through Standards By Sylvannia Garutch Stella Cole’s My Funny Valentine is a three-song standards set deliberately built around a distinct jazz-vocal format. […]
Tom Lippincott, Ode to the Possible Review Tom Lippincott’s Ode to the Possible Through Motion By Nolan DeBuke Recurring drum figures, doubled melodies, group improvisational swells, and angular compaction and releases give Ode to the […]
The Jazz Word 2021